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-Academia is a pollution of the affirmative project—an inoculation and re-scripting of the very terms of contestation such that nothing is left but the continued propagation of social death |
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-OUCB ‘9 (Occupied “The Necrosocial – Civic Life, Social Death, and the University of California,” November 2009, Craccum Magazine – University of Auckland Student Magazine. Iss. 4, 2012. http://craccum.ausa.auckland.ac.nz/?p=286) m leap |
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-Yes, very much a cemetery. Only here there are no dirges, no |
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-. We need, we desire occupations. We are an antagonistic dead. |
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-The aff is curriculum – the 1AC’s strategy is premised upon utilizing knowledge as a telos which runs parallel to settler colonialism – they mystify the structuring foundation for the modern university: the walling off of indigenous bodies from civil society |
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-Tuck and Gaztambide-Fernandez ’13. (Eve Tuck – professor of educational foundations and coordinator of Native American Studies at the State University of New York at New Paltz, and RUBÉN A. GAZTAMBIDE-FERNÁNDEZ, “Curriculum, Replacement, and Settler Futurity,” Journal of Curriculum Theorizing, Vol. 29, No. 1, 2013, p. 72-89) |
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-Natty Bumppo, not savage, and no longer European, is positioned to claim |
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-been sidelined and reappropriated in ways that reinscribe settler colonialism and settler futurity. |
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-The alternative is to reject the affirmative’s performance of resistance and embrace the black quiet. |
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-QUASHIE 12 asst. Prof of Afro-American studies @ Smith College 2k12Kevin Everod-co editor of New Bones: “The Sovereignty of Quiet: Beyond Resistance of Black Culture” pp. 3-9 |
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-This book explores what a concept of quiet could mean to how we think about |
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-. It is already there, if one is looking to understand it. |
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-Their public call of resistance is a performative double turn warranting rejection |
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-QUASHIE 09 asst. Prof of Afro-American studies @ Smith College 2k9 Kevin Everod- co-editor of New Bones: An Anthology of Contemporary Black Writers in America; The Trouble With Publicness: Toward a Theory of Black Quiet; AFRICAN AMERICAN REVIEW, Vol. 43 No. 2/3 (Summer/Fall 2009); |
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-http://www.jstor.org/stable/41328610?seq=1#page_scan_tab_contents |
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-As a consequence of this historical significance of public expressiveness, resistance becomes the dominant |
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-a metaphor capable of noticing the beauty and intimacy of Smith and Carlos. |
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-The affirmative’s speech act forecloses the possibility of black quiet |
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-QUASHIE 9 asst. Prof of Afro-American studies @ Smith College 2k9 Kevin Everod- co-editor of New Bones: An Anthology of Contemporary Black Writers in America; The Trouble With Publicness: Toward a Theory of Black Quiet; AFRICAN AMERICAN REVIEW, Vol. 43 No. 2/3 (Summer/Fall 2009); http://www.jstor.org/stable/41328610?seq=1#page_scan_tab_contents |
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-To explore fully the relationship between black culture and publicness requires a brief consideration of |
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-fall outside the aesthetic that publicness has either made, or made possible. |