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-====Free speech isn’t real for black and brown people- it is concept that structurally bars non-white people out. The 1AC’s affirmation of free speech justifies "trumpism" and exclusion.==== |
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-**Ceballos 16 **~~Cassandra Ceballos, Research Fellow at University of Richmond~~ 9-26-2016, "Opinion: Trump exemplifies why speech isn't really free," Collegian, http://www.thecollegianur.com/article/2016/09/opinion-trump-exemplifies-why-speech-isnt-really-free DOA: 2/1/16 HSLA//SC |
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-Some days I |
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-AND |
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-symbol of support. |
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-THE PROBLEM WITH THE 1AC IS THEY ASSUME FREE SPEECH EXISTS FOR BLACK PEOPLE — Blackness is an identity without ontology- All of the 1ac’s assumptions assume black people, even with free speech, can talk about getting shot and somehow produce revolutionary change – this is metaphysically denied ==== |
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-**Wilderson 10 **(Frank B. Wilderson III is Associate Professor of African American Studies and Drama at the University of California, Irvine. He is the author of Incognegro: A Memoir of Exile and Apartheid, winner of the Hurston/Wright Legacy Award and the American Book Award. He is also the recipient of a Literature Fellowship from the National Endowment for the Arts.) Red, White and Black: Cinema and the Structure of U.S. Antagonisms. Durham, NC. Duke U Press. 2010. DOA: 12/25/16 HSLA//SC |
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-The difficulty of |
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-AND |
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-Indians and Blacks. |
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-Class-analysis’s allow white middle class males to lead non-white people in the revolution. It is an invisible form of white messianism that slips identity through the back door or anti-capitalist movements. ==== |
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-**Ross 2k** Ross 2000 ~~Marlon B., Professor, Department of English and Carter G. Woodson Institute for African-American and African Studies, "Commentary: Pleasuring Identity, or the Delicious Politics of Belonging," New Literary History, Vol. 31, No. 4, pages 840-841~~ HSLA//SC |
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-Although in his |
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-AND |
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-and their culture |
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-Modernity’s existence is constitutive of antiblackness happening during the Middle Passage. Thus the 1AC cannot comprehend a plan of freedom for the slave absent some form of gratuitous violence.==== |
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-**Wilderson 10 **(Frank B. Wilderson III is Associate Professor of African American Studies and Drama at the University of California, Irvine. He is the author of Incognegro: A Memoir of Exile and Apartheid, winner of the Hurston/Wright Legacy Award and the American Book Award. He is also the recipient of a Literature Fellowship from the National Endowment for the Arts.) Red, White and Black: Cinema and the Structure of U.S. Antagonisms. Durham, NC. Duke U Press. 2010. DOA: 12/25/16 HSLA//SC |
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-Regarding the Black |
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-AND |
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-of the issue. |
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-AND- Modernity has deemed blackness as socially dead after chattel slavery reconfigured Africanness.==== |
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-**Wilderson 3 **(Frank B. Wilderson III is Associate Professor of African American Studies and Drama at the University of California, Irvine. He is the author of Incognegro: A Memoir of Exile and Apartheid, winner of the Hurston/Wright Legacy Award and the American Book Award. He is also the recipient of a Literature Fellowship from the National Endowment for the Arts.) Red, White and Black: Cinema and the Structure of U.S. Antagonisms. Durham, NC. Duke U Press. 2010. DOA: 12/25/16 HSLA//SC |
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-It would be |
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-AND |
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-banishment from) ontology. |
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-AND- The 1AC’s root cause claims are just wrong. Chattel slavery not only reconstructed the ontology of Africaness but also produced Humanism and concepts such as feminism and Marxsism.==== |
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-**Wilderson 10 **(Frank B. Wilderson III is Associate Professor of African American Studies and Drama at the University of California, Irvine. He is the author of Incognegro: A Memoir of Exile and Apartheid, winner of the Hurston/Wright Legacy Award and the American Book Award. He is also the recipient of a Literature Fellowship from the National Endowment for the Arts.) Red, White and Black: Cinema and the Structure of U.S. Antagonisms. Durham, NC. Duke U Press. 2010. DOA: 12/25/16 HSLA//SC |
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-Without this gratuitous |
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-AND |
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-death of Blacks. |
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-Capitalism began through the destruction of the black body which means we have a better articulation of why capitalism exists. It’s a sequencing question; profit motive doesn’t make any sense because it would have been cheaper to get the white underclass from Europe==== |
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-**Wilderson 03 **Wilderson, Professor UCI, 2003 (Frank B., "The Prison Slave as Hegemony’s (Silent) Scandal", Soc Justice 30 no2 2003,) HSLA//SC |
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-The theoretical importance |
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-AND |
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-work and exploitation. |
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-Alt- THE BALLOT MUST BE AN UNFLINCHING PARADIGMATIC ANALYSIS THAT POSES THE QUESTION OF WHETHER CIVIL SOCIETY IS ETHICAL AND SHOULD EXIST. This does not mean we literally after this round will start burning shit down but we refuse to engage in the productivity of the aff – we ask the question of if civil society is ethical and the power to ask the question is what matters. ==== |
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-**Wilderson 10 **(Frank B. Wilderson III is Associate Professor of African American Studies and Drama at the University of California, Irvine. He is the author of Incognegro: A Memoir of Exile and Apartheid, winner of the Hurston/Wright Legacy Award and the American Book Award. He is also the recipient of a Literature Fellowship from the National Endowment for the Arts.) Red, White and Black: Cinema and the Structure of U.S. Antagonisms. Durham, NC. Duke U Press. 2010. DOA: 12/25/16 HSLA//SC |
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-STRANGE AS it |
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-AND |
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-and S'bu Zulu. |