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-Text: Countries ought to preserve nuclear power plants as historical monuments |
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-Storm 1: |
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-Anna Storm, “Nuclear Power Plants as Memory Sites”, January 31, 2011, (Postdoc at CBEES. Her dissertation Hope and Rust: Reinterpreting the Industrial Place in the Late 20th Century was published in 2008.) |
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-Is it possible |
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-AND |
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-Ignalina in Lithuania |
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-The CP is competitive- decommissioning by normal means doesn't allow for preservation |
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-Farrow 1: |
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-Elizabeth Chapin Farrow, “A new life: adaptive reuse and redevelopment of decommissioned commercial nuclear power plants” University of Florida 2008 http://etd.fcla.edu/UF/UFE0023705/farrow_e.pdf |
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-As previously described in Chapter 2, there are three main methods of decommissioning: |
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-AND |
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-Preservation Methods should be combined to allow for flexibility at sites facing decommissioning. |
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-Historical monuments are k2 local economy and public awareness |
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-Farrow 2 |
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-Elizabeth Chapin Farrow, “A new life: adaptive reuse and redevelopment of decommissioned commercial nuclear power plants” University of Florida 2008 http://etd.fcla.edu/UF/UFE0023705/farrow_e.pdf |
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-Benefits to Reusing Commercial Nuclear Power Plants Despite the aforementioned challenges, there are many |
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-AND |
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-they are found in, as well as those who visit the site. |
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-Preserving these sites as monuments solves better than the aff by reconciling with the past |
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-Storm 2: |
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-Anna Storm, “Nuclear Power Plants as Memory Sites”, January 31, 2011, (Postdoc at CBEES. Her dissertation Hope and Rust: Reinterpreting the Industrial Place in the Late 20th Century was published in 2008.) |
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-A third track to follow concerns cultural heritage as a double-edged sword. |
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-AND |
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-a conversion to tourist destination be an expression of reconciliation with the past? |
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-Rupturing presentism is essential in challenging dominant ideology by forcing awareness of those silenced and hidden by history |
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-Lo '14, Jacqueline (Director Centre for European Studies, Astralian National University), "The Politics of Interweaving Performance Cultures: Beyond Postcolonialism", Chapter 6: Dancing For The Dead, Routledge, 2014, |
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-The field of intercultural theatre, as noted by many in this collection, has |
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-AND |
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-, something different from before, seems like it must be done.' |