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+It's all related |
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+It reminds that with purpose we're all created |
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+But that's debated |
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+Distorted by those who hated |
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+On our beliefs |
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+Cause we believed all things were sacred |
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+ |
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+Uranium drains from our black hills |
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+Let it rain |
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+Genocide won't pay the bills |
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+ |
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+I can't escape that warming up with this smallpox blanket |
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+While I see my mother get abused |
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+I'm accused |
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+Cause I don't dance with the devil |
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+ |
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+I bet their hearts drop when they hear these drums |
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+And hear our songs now |
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+Tired of being oppressed |
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+You can't white wash me in this white war |
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+You can't speak about people you don't fight for |
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+ |
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+ |
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+NUCLEAR TECHNOLOGY IN THE SQUO IS ASSOCIATED WITH MASCULINITY – THE ONLY WAY TO DECONSTRUCT THESE ASSOCIATIONS IS THROUGH METAPHOR. |
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+Jane Caputi 1, 1991. (“THE METAPHORS OF RADIATION. Or, Why a Beautiful Woman is Like a Nuclear Power Plant.” Professor of American Studies, University of New Mexico. Women’s Studies Int. Forum. 423-442. Accessed 8/8/16.) ML |
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+However inconsequential or... and including violence. |
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+ |
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+YOUR ADVOCACY OF BANNING SUCH SYMBOLS IS EXTREMELY EUROCENTRIC; NATIVE THINKERS ADVOCATE FOR RECLAIMING AS A LIBERATION STRATEGY – THIS INDEPENDENTLY TURNS THE AFF. YOU PRETEND TO ADVOCATE FOR INDIGENOUS PEOPLES WHILE CONTINUING TO ADVOCATE FOR WHITENESS. ONLY I SOLVE FOR THE ROOT CAUSE BY TAKING AN INTERSECTIONAL APPROACH AND SHIFTING AWAY FROM THE EUROCENTRIC MASCULINE NORM~-~- |
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+Jane Caputi 2, 1991. (“THE METAPHORS OF RADIATION. Or, Why a Beautiful Woman is Like a Nuclear Power Plant.” Professor of American Studies, University of New Mexico. Women’s Studies Int. Forum. 423-442. Accessed 8/16/16.) ML |
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+The 16th-century philosopher... of the storm?” |
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+ |
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+THE ALT IS TO UNGENDER THE NUCLEAR STATE BY RECLAIMING METAPHORS THROUGH POLITICS. |
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+ |
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+UNGENDERING THE NUCLEAR STATE IS KEY TO SHIFTING OUR MASCULINE-CENTERED CULTURE. |
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+Polina Sinovets, 2014. (“The soul of women in nuclear politics.” Bulletin of the Atomic Scientists. A ssociate professor in the international relations department at Odessa I.I. Mechnikov National University, Ukraine. From 2004 to 2012 she was a senior research associate at Ukraine's National Institute for Strategic Studies. In 2006 was a fellow at the James Martin Center for Nonproliferation Studies. She has published several dozen articles on nuclear deterrence, disarmament, missile defense, and nonproliferation in Ukrainian, Russian, and English. In 2004 she received a doctorate in political science from the Institute of World Economy and International Relations in Kiev. http://thebulletin.org/women-and-nuclear-weapons-policy7165 Accessed 8/15/16) ML |
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+Many feminists view... the atom follow. |
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+ |
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+PROHIBITING THE PRODUCTION OF NULEAR POWER WON’T DO ANYTHING TO CHANGE THE CULTURE OF VIOENCE AND PATRIARCHY. WE NEED TO HAVE A CONVERSATION ABOUT THESE ASSOCIATIONS AND SYMBOLS IN POLITICS INSTEAD OF SWEEPING THEM UNDER THE RUG. |
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+Ray Acheson. (“Gender and Nuclear Disarmament.” Reaching Critical Will of the Women's International League for Peace and Freedom. http://www.peacewomen.org/assets/file/Themes/gender.pdf Accessed 8/15/16.) ML |
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+These meanings were... too “soft” (i.e. feminine). |
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+ |
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+ |
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+THUS THE ROLE OF THE BALLOT IS TO PERFORMATIVELY AND METHODOLOGICALLY COMBATS INTERSECTIONAL OPPRESSION IN THE CONTEXT OF THE RESOLUTION. |
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+ |
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+Every ballot matters – repetition is what confers power on the performative act. Voting AFF brings real voices and experiences into the debate sphere, making the performance the best way to actually access advocacy skills. |
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+Dr. Judith Butler, 1993 (“Bodies That Matter: On the Discursive Limits of Sex.” Noted for her studies on gender and teaches composition an rhetoric at Berkeley. 225.) |
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+Performative acts are... of binding convention. |
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+ |
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+NARRATIVES ARE THE ONLY WAY MINORITY VOICES CAN ENTER OPPRESSIVE SYSTEMS – THIS MAKES MY PERFORMANCE UNIQUELY KEY. |
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+Richard Delgado and Jean Stefancic, 2001. (“Critical Race Theory: An Introduction.” NYU. Teaches civil rights and critical race theory at the University of Alabama School of Law. Professor. 43-44) ML |
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+Stories give also... their narrative forcefully. |
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+ |
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+AND EVEN IF I AM LOSING THE SUBSTANCE DEB8 U VOTE NEG SINCE NARRATIVES ARE RELEVANT IN ALL CONTEXTS; MY PERFORMANCE UNIQUELY ALLOWS US TO EXAMINE EXISTING OPPRESSIVE IDEOLOGIES AND CHANGE THEM. PERFORMANCES TURN DEBATE INTO A COLLECTIVE SPACE WHERE WE CAN SPECIFICALLY MAKE GENDER NORMS VISIBLE AND RUPTURE THEM – I O/W ON SPECIFICITY AND MAGNITUDE. |
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+Jale Karabekir, 2004. (“Performance as a Strategy for Women’s Liberation: The Practices of the Theatre of the Oppressed in Okmeydami Social Center.” Bogazici University. Master of Arts in Sociology. 128-134.) ML |
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+It is important... they became stronger.(Arsen) |
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+ |
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+YOUR LIBERATION STRATEGY WILL NEVER HELP THE NON-MASCULINE BODY; WOMXN WILL NEVER BE PART OF THE PROCESS UNTIL WE BECOME PART OF THE POLICYMAKING REALM. |
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+Ruth Meena. (“Women and Sustainable Development.” Voices of Africa. Number 5: Sustainable Development Part 1.) ML |
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+Participation of womxn... a distant dream. |
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+ |
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+AND, MY INTERSECTIONAL APPROACH IS KEY TO REAL CHANGE. |
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+Sara Salem, 2014. (“Decolonial Intersectionality and a Transnational Feminist Movement.” PhD researcher at the Institute of Social Studies in the Netherlands. The Feminist Wire. http://www.thefeministwire.com/2014/04/decolonial-intersectionality/. Accessed 8/18/16.) ML |
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+Transnational solidarity among... create transnational solidarity. |
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+ |
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+And in order for that system to work |
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+They have to mine our minds |
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+The mining of the essence |
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+The mining of the spirit |
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+The pollution from that |
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+Is all of the neurotic, distorted, insecure behavior patterns that we develop |
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+But it's a disease |
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+Lives and travels through the mind |
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+Through the generations" |